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Smocaine

No.85237479 View ViewReplyLast 50OriginalReport
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(107 replies)
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Webm Thread - Friday edition

No.85232923 View ViewReplyLast 50OriginalReport
Well, it friday in europe edition
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(25 replies)
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/tpg/ - Twin Peaks General

No.85250796 View ViewReplyOriginalReport
James is the key to this edition
https://pastebin.com/Ag6evX8s

Meanwhile >>85237103
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No.85248566 View ViewReplyOriginalReport
Just watched for the first time and...

WHAT THE FUCK?

ORGANIC WEB???

LMAO

Why /tv/ love this shit?
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Alphaman

No.85251053 View ViewReplyOriginalReport
Capeshit can't be ki-
(16 replies)
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No.85250186 View ViewReplyOriginalReport
God your so fucking predictable. When the 5th Element went out, there were gorrillions of teenagers on tv saying how shitty it was. 20 years later, /tv/ worships it like it was some kind of masterpiece.
Here we go again. Valerian and the City of a Thousand Planets. Hurrr durr, GOD HELP ME it was so gay!
It is. But 10 years from now, your gonna love it liek the little sheeps you are.

> roody poo
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Hocus Pocus remake imminent, to star the leading cast from box office smash Hidden Figures

No.85251397 View ViewReplyOriginalReport
Everyone share your memories of the original, before they get obliterated by the fantastic remake!
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Sexual Transmitted Discovery

No.85250177 View ViewReplyOriginalReport
I'm still going to torrent it.
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No.85245104 View ViewReplyLast 50OriginalReport
>Although this is only Nolan’s third movie that is set, at least partly, in his homeland England — it depicts the evacuation of more than 300,000 British Expeditionary troops trapped in Dunkirk, France, at the start of World War II — he seems incapable of conveying a sense of cultural authenticity or patriotic feeling. (For that, see John Boorman’s WWII memoirs Hope & Glory and Queen & Country.) Preening for fanboys in 70mm, Nolan’s vast, clear views of dull-to-horrific killings, plus amped-up artillery sound effects, are no different from what he did in his Dark Knight trilogy. Like Michael Bay’s fantasy Pearl Harbor (1999), Dunkirk uses history as a pretext to show-off the director’s fascination for calamity.

How can one man be so based?
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